My moodpaintings are evolving to abstractions, which I guess isn’t really that earth shattering! Using waterscapes as my starting point, I have played with perspective and pattern  and  become more concerned about “effect.” Now the visual language of paint– through colour and the physical structure of paint has become even more important.  The end result, is reconstructed abstraction with fragmented colour segments that are anchored, but at the same time exist in a shallow space.

Painted Sounds, acrylic on wood, 2012